Exhibitions and Art Fairs
2025
— Salon d’Automne, Paris — Official Selection
— Regards critiques, group exhibition, Private Collection, Paris
2024
— Salon d’Automne, Paris — Official Selection
2022
— Yes / No, solo exhibition, 24Beaubourg, Paris
— Quintet, group exhibition, Galerie La Ralentie, Paris
2022 (additional selections)
— Projet 102, group exhibition, Paris
2021
— Transparence, group exhibition, Galerie La Ralentie, Paris
— Moon Art Fair, international group exhibition, Hamburg
— Manchester 2020, group exhibition, Quai Gallery, London
2013
— MAC Paris, Paris — Official Selection
Selections and Publications
2025
— Publication in Grands Peintres & Sculpteurs magazine (Issue No. 6: December – March 2026)
2023
— Selected for the charity sale of the Friends of the Israel Museum
— Curatorial selection by the Singulart platform
2022
— Publication produced for the exhibition Yes / No, Galerie 24Beaubourg
2021
— Publication produced for the exhibition at Quai Gallery, London
Critical texts – earlier period
The texts below shed light on an earlier period of Abraham Aronovitch’s work, marked by a phase of research and experimentation, and anticipate the questions that would later structure the series Behind The Obvious.
— ''How to Figure Your Face?'', Chris Cyrille, Art Critic — 2021
— "The Blue Hour", Leïla Simon, Art Critic — 2020
— "An Art That Provokes", Francesca Biagi-Chai, Psychoanalyst — 2012