Still Confused belongs to the Behind the Obvious series, in which the bathroom mirror functions as a mental space rather than a simple reflective surface. The work explores confusion not as a transitional phase, but as a prolonged and unresolved condition. Within a saturated visual field, partially defined figures evolve amid a superimposition of reference points without hierarchy. The painting does not seek to clarify the scene, but to sustain a perceptual instability that reveals a contemporary difficulty in fixing a coherent reading of the self and the world.

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Confronted with this dispositif, the figure attempts to grasp the nature of two presences occupying its mental field. These silhouettes, though tangible, remain without precise contours, held within a deliberately indeterminate zone. Their uncertain form does not suggest erasure, but suspension: the gaze has not yet found the necessary distance to situate them—neither spatially nor relationally.